The goal of compressing audio signals is to even out the loudness level. By taming the peaks in the signal, the overall level can be increased, thus leading to more punch or impact. This is only half of the story: a compressor typically has attack and release controls in addition to threshold and ratio. By setting the attack time, you can control how fast the compressor reacts when detecting an input level above the compression threshold. Conversely, the release time determines how fast the gain reduction is released when the input signal has fallen below the threshold again. The attack and release times have to be adjusted to the signal that is to be compressed to get the best results. There is an NYCompressor AU (Audio Unit) as well as an NYCompressor VST version.
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